Happy to fulfill expectations. What made you check out these guys? I dig this reference. Well, originally in Polish alphabet there was no Q. Now, however, we've got plenty of loan words e. These guys seem to be traditionalists in this regard. Those guys are totally unik! Love the whole album! I actually fixed that some time ago. Yeah, this album's addictive in all its craziness. I've never thought of King Crimson while listening to them, but now when you've mentioned it Love it.
To this day I don't know how I did that. Techno Red. Star Records. TechnoProgressive House. TechnoTech House. HouseTech House. TechnoDeep House.
EDMFuture Bass. New On Beatport. Music Makes Sense, Vol. It's Time Mr. DJ Charts. Cr2 Records. Headnoise Get Hype feat. Do You Like Rollers? The scope of this reduction was established between these words.
There is this old Taoist saying that if you take anything to an extreme, it will turn into an opposite of itself. We were looking for raw sound, raw execution, we were recording live to analogue tape. At that moment, luckily, Ross Robinson and America appeared in our way. From the Polish perspective, the U. The momentum of our already recognized reduction collided with the opposite force which was Ross and his need to enrich and expand our sound.
It is probably why our cooperation was so inspiringly difficult at times. Same time on many other levels we were very open and trusting, and we generally feel that the final outcome is the result of a very deep and creative compromise. As for American standards he is very reduced, minimalistic. At the recording stage, even though we used a lot of our gear and setups, he had huge impact on sound and performance.
Our emotional and formal constructions could have collapsed if not for him. He did a lot of work with us at a personal, emotional level. He made us play wildly and violent. Thanks to him, everything is big, living and even more unpredictable. At its core, his work with us was about energy and being imperfect which was a counterpoint to our focus on structure and technique.
It should be mentioned that Steve Evetts, who mixed the album, also did an amazing, brilliant job. Thanks to him everything has its place and has become an raw-organic-whole. Poetry based on rules which are, to us, mysterious. It is not a metaphor, it has no rhymes, meanings or substance in the sense of language or logic. For Poles, it is pretty incomprehensible at the linguistic level, but is instead felt at a deep, intuitive level.
Adam balances on the edge of sound, meaning and meaninglessness. On the album, literature merges with instruments. Songs become a hybridized source of semiotic viewpoints, a tools powered and converted by musicians and sculpted in the form of a new musical shape.
The band's approach to the Polish language took them further into creative space, which until now was a 'void', as the band members called the emptiness they filled in with a new dialect and tonal intensity, they stated that they constructed something out of nothing and nothing out of something.
Like Gombrowicz in his searching for explanations and understanding of things fell under the weight of the 'unknown', Semantik Punk drowned in cascades of sounds that exploded out of boredom that haunted them for years. Jetzt geht's ab! Hidden categories: Articles needing additional references from April All articles needing additional references Articles with short description Articles with hAudio microformats All stub articles.