It was written and produced by Stock, Aitken and Waterman , who also produced Minogue's first four albums. The song was released as the second single from Kylie in most territories outside Australia and was released on 2 May in the UK. Throughout the production of the album, Minogue had travelled to London , England , to record the album, however "Got to Be Certain" was recorded in her native Melbourne, Australia, in February , along with two other album tracks, and future international singles Turn It Into Love and It's No Secret.
Unlike her previous single, "Got to Be Certain" was not written especially for Kylie. However, for unknown reasons, her version was shelved and the song was given to Kylie to record instead. Smith's version was also added to the re-issue of her album.
The song bears substantial similarities with Scotch 's italo-disco hit "Take Me Up". The song, however, was not released in the United States where "It's No Secret" was released instead. A music video was shot in Melbourne. The video was filmed around Melbourne in Australia. The video starts off with Minogue at a photoshoot, posing in different poses. For people who don't know, what is Internet Money?
Taz Taylor: It's a collective of producers and artists. We were the ones who kind of built their sounds and gave everybody their first hit records, then developed them throughout their careers. When you started Internet Money, what did you bring to the industry that was missing? Taz Taylor: Overall, we just brought more development. There are a lot of artists who are getting signed, but labels don't necessarily care about them.
We take artists and build them up from nothing. We don't care how many followers they have, what they look like, or whatever. We're turning out all these different types of artists in different genres. Same with Trevor Daniel. I think it's a real '90s way of doing it. Like, Dre and everybody used to be really be hands-on with music, and develop artists, and just craft records.
I think we're bringing that back. How has Internet Money evolved and changed since you started it? Taz Taylor: When we first started it, we didn't even care about the music industry in general. We never cared about what placements we were getting or anything like that.
We got to the top of the beat-making game online, and it's like, "Well, we've got to go up from here, so what are we going to do? It was just one after another. We can't go a month now without having some crazy shit happen.
We're working with the artists we've always wanted to work with. When did you decide you wanted to make an album? Taz Taylor: We finalized our deal with 10K Projects in like August or September of last year, but we had already been talking about an album for a minute.
I brought it up to Elliot [Grainge] that I wanted to drop songs as an artist under Internet Money—just my favorite artists working together and putting songs together, like some DJ Khaled type shit. He was very encouraging of it. He's like, "I love it. I think it's great. Then we put it out with the video and everything. It went on Billboard for the first three weeks.
It's gold now. It's about to be platinum. That started the conversation for an album. Everybody was just like, "All right, cool. What's next? But some shit happened on the business side where we couldn't release that for a while.
It's called "Blastoff. Then the Juice thing happened, which put everything on hold for a while. Every time we started ramping up and getting ready to do an album, something would happen that would just throw it completely off course.
I was just like, "You know what? Fuck this. I'm going to do an album. So we did the whole album in a month, top to bottom: features, big artists, beats, everything. We mixed and mastered the whole album at least 50 different times. What was the process like actually collecting and recording all these songs?
Taz Taylor: The crazy thing that people are going to find out about this album is, a lot of these songs are throwaway songs that artists didn't want. They're songs I'm hearing and I'm like, "Yo, this is fucking crazy.
Why don't you put this out? We take the Pro Tools session, and we take the AutoTune off the vocals. We change everything.
We'll change the key. We'll change tempos. We'll change whatever. Then we'll just make a whole new record. That's how a lot of the album was made. That's how we were able to get it done so quickly, in a month. We had the respect from a lot of artists, so they were comfortable with us playing around with their vocals on shit that they were never going to drop.
Retrieved Retrieved December 13, Like 17 and? Underground Flux. Archived from the original on 21 March Retrieved 9 September August 25, Retrieved August 6, Complex Magazine. XXL Mag. Mass Appeal". Complex UK. All Access. Archived from the original on October 5, Archived from the original on January 4, Album of the Year. Retrieved February 15, Retrieved August 31, Album of The Year. Archived from the original on June 13, Retrieved June 20, Very honest I love it Retrieved September 4, She's Pouring It On 7.
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Real Good Lover 2. Let's Get This Party Started 3. It's a Groove Party 4. I'm Drowning in My Own Tears 5. Get free delivery with Amazon Prime. Back to top. Get to Know Us. Amazon Payment Products. English Choose a language for shopping. Listen Now with Amazon Music. Amazon Music Unlimited. Be the Best You Can Be. Five Little Fish. A B C Disco. Keeper of My Heart. Fill Me With Your Fire. Mark Hauth. We Bring the Sacrifice of Praise. Kirk Dearman. There Is a Redeemer.
Melody Green. Gloria Gaither. This Is My Commandment. Thou Art Worthy. Holy Is the Lamb. Great Is Thy Faithfulness. Thomas O. Track Listing - Disc 4. We Will Glorify. Great Is the Lord. We Worship and Adore Thee. All Your Works Are Wonderful. Hallelujah, What a Savior. Philip Bliss. Jesus in My Lord. Don Moen.17 is the debut studio album by American rapper XXXTentacion. It was released on August 25, , by Bad Vibes Forever and Empire Distribution. With a total length of 22 minutes, the album was barely an LP, and does not feature a song longer than three minutes long, which is considered unconventional for a studio album.